Les vaudevilles : Un médium théâtral
Identifieur interne : 002B38 ( Main/Exploration ); précédent : 002B37; suivant : 002B39Les vaudevilles : Un médium théâtral
Auteurs : P. Robinson [Royaume-Uni]Source :
- Dix-huitième siècle [ 0070-6760 ] ; 1996.
Descripteurs français
- Pascal (Inist)
- Wicri :
English descriptors
- KwdEn :
- Air, Century 18, Comic, Connotation, Dialogue, France, History of the theater, Humor, Music, Refrain, Singing, Speech, Theater, Tone, Vaudeville.
Abstract
Early french opéra-comique (or théâtre de la foire) is typified by vaudevilles, which are the theatrical application of the pont-neuf (the singing of satirical lyrics to already known tunes) ; this means not only refrain songs at the ends of acts or whole plays, but the very dialogue itself. Vaudevilles become a theatrical medium in a quite specific musical sense, for even then present in only limited numbers they impose, thanks to the cultural connotations and references of their airs, a light and comical tone which tends to dominate the entire play. The point is demonstrated by following, through a number of plays from the period 1740-70, the use of two airs for which the connotations and references can be reconstructed and the musical effects illustrated
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: 000894
- to stream PascalFrancis, to step Curation: 000802
- to stream PascalFrancis, to step Checkpoint: 000904
- to stream Main, to step Merge: 002C63
- to stream Main, to step Curation: 002B38
Le document en format XML
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<author><name sortKey="Robinson, P" sort="Robinson, P" uniqKey="Robinson P" first="P." last="Robinson">P. Robinson</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Université du Kent</s1>
<s2>Cantorbéry</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
</inist:fA14>
<country>Royaume-Uni</country>
<wicri:noRegion>Université du Kent</wicri:noRegion>
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<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">523-98-10018</idno>
<date when="1996">1996</date>
<idno type="stanalyst">FRANCIS 523-98-10018 INIST</idno>
<idno type="RBID">Francis:523-98-10018</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000894</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000802</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000904</idno>
<idno type="wicri:doubleKey">0070-6760:1996:Robinson P:les:vaudevilles:un</idno>
<idno type="wicri:Area/Main/Merge">002C63</idno>
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<idno type="wicri:Area/Main/Exploration">002B38</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="fr" level="a">Les vaudevilles : Un médium théâtral</title>
<author><name sortKey="Robinson, P" sort="Robinson, P" uniqKey="Robinson P" first="P." last="Robinson">P. Robinson</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Université du Kent</s1>
<s2>Cantorbéry</s2>
<s3>GBR</s3>
<sZ>1 aut.</sZ>
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<country>Royaume-Uni</country>
<wicri:noRegion>Université du Kent</wicri:noRegion>
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<series><title level="j" type="main">Dix-huitième siècle</title>
<title level="j" type="abbreviated">Dix-huitième siècle</title>
<idno type="ISSN">0070-6760</idno>
<imprint><date when="1996">1996</date>
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<title level="j" type="abbreviated">Dix-huitième siècle</title>
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<term>France</term>
<term>History of the theater</term>
<term>Humor</term>
<term>Music</term>
<term>Refrain</term>
<term>Singing</term>
<term>Speech</term>
<term>Theater</term>
<term>Tone</term>
<term>Vaudeville</term>
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<keywords scheme="Pascal" xml:lang="fr"><term>France</term>
<term>Siècle 18</term>
<term>Histoire du théâtre</term>
<term>Théâtre</term>
<term>Vaudeville</term>
<term>Chant</term>
<term>Refrain</term>
<term>Air</term>
<term>Connotation</term>
<term>Comique</term>
<term>Musique</term>
<term>Parole</term>
<term>Dialogue</term>
<term>Humour</term>
<term>Ton</term>
<term>Opéra-comique</term>
<term>Timbre</term>
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<front><div type="abstract" xml:lang="en">Early french opéra-comique (or théâtre de la foire) is typified by vaudevilles, which are the theatrical application of the pont-neuf (the singing of satirical lyrics to already known tunes) ; this means not only refrain songs at the ends of acts or whole plays, but the very dialogue itself. Vaudevilles become a theatrical medium in a quite specific musical sense, for even then present in only limited numbers they impose, thanks to the cultural connotations and references of their airs, a light and comical tone which tends to dominate the entire play. The point is demonstrated by following, through a number of plays from the period 1740-70, the use of two airs for which the connotations and references can be reconstructed and the musical effects illustrated</div>
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